1 00:00:10,26 --> 00:00:14,29 Hi I'm directed to pray recording from the Bay Area video coalition where for the 2 00:00:14,30 --> 00:00:17,96 past three years the producers Institute has brought together documentary 3 00:00:17,97 --> 00:00:22,57 filmmakers and interactive media people from all over the country one and tens ten 4 00:00:22,58 --> 00:00:26,93 days to develop new media concepts for their films Joining me now here at that 5 00:00:26,94 --> 00:00:31,78 they've accepted live studio cello Alvarez stilly producer director off sands of 6 00:00:31,79 --> 00:00:36,12 Silence A Personal Journey into the trafficking of women she was invited to Bay 7 00:00:36,13 --> 00:00:40,00 Back to develop the game and so as slaves accompanying the film which is in the 8 00:00:40,01 --> 00:00:44,42 early stages of production cello you have one of the main characters of the film 9 00:00:44,43 --> 00:00:46,05 identified as I understand 10 00:00:46,06 --> 00:00:50,52 a Mexican American woman who was forced into prostitution she was kidnapped by 11 00:00:50,53 --> 00:00:52,49 a trafficking ring and taken to 12 00:00:52,50 --> 00:00:57,52 a place in chop us they were bringing other women with breast feeding in each 13 00:00:57,53 --> 00:01:03,79 babies and was the good to displays the traffickers would force them to exchange 14 00:01:03,80 --> 00:01:07,34 the babies among them sort of so that they couldn't escape when our character 15 00:01:07,64 --> 00:01:11,75 succeeded in escaping because she tried three times she had to leave her baby 16 00:01:11,76 --> 00:01:14,99 behind and then come back and recover her baby and pay 17 00:01:15,00 --> 00:01:19,63 a huge ransom for the baby because she was told that it had been sold already and 18 00:01:19,64 --> 00:01:24,25 you investigated sex trafficking for years even before this film what have you 19 00:01:24,26 --> 00:01:29,74 found is the motivation for the traffickers to be in this horrific business Yeah I 20 00:01:29,75 --> 00:01:33,67 think you spot and obviously money sex trafficking is 21 00:01:33,68 --> 00:01:38,29 a huge business and increasingly become you know one of the best businesses in the 22 00:01:38,30 --> 00:01:43,65 planet better than even drug trafficking or weapons traffic him because 23 00:01:43,69 --> 00:01:45,34 a woman you can reuse it 24 00:01:45,53 --> 00:01:49,56 a drug you consume it is gone that woman your country use it and resale it and 25 00:01:49,57 --> 00:01:54,98 that's what happens until the point where they become sick and many of them do now 26 00:01:54,99 --> 00:01:56,64 you told me that earlier conversation there's 27 00:01:56,65 --> 00:02:00,98 a huge demand for women in Western European countries like your own Spain or or 28 00:02:00,99 --> 00:02:05,77 Germany where I'm from. Mostly from the Eastern European countries how is the 29 00:02:05,78 --> 00:02:10,18 trafficking different from girls coming into the United States those gallstones to 30 00:02:10,19 --> 00:02:10,58 be 31 00:02:10,59 --> 00:02:15,87 a little younger in age usually they're forced out of their villages by poverty or 32 00:02:15,88 --> 00:02:17,13 by dreams of 33 00:02:17,14 --> 00:02:22,27 a better life many of them get trapped either in situations of sexual slavery or in 34 00:02:22,28 --> 00:02:28,05 situations of laborers Lavery many of them when they approach the border some how 35 00:02:28,09 --> 00:02:32,41 their families have managed to save some money to pay their community it could be 36 00:02:32,42 --> 00:02:36,22 up to three thousand dollars sometimes they go yes he says to them one of them pay 37 00:02:36,23 --> 00:02:41,43 me that money you can just work for me so that deal immediately traps them in this 38 00:02:41,44 --> 00:02:46,27 situation they're threatened with killing their families if they try to escape the 39 00:02:46,93 --> 00:02:51,44 portray the police and their immigration services or officers as as this you know 40 00:02:51,81 --> 00:02:55,69 the moves are going to come in just that for them or send them to prison so that 41 00:02:55,70 --> 00:03:00,24 it's very difficult for them to scape So what can we do or what has to be done in 42 00:03:00,25 --> 00:03:04,00 the countries where these girls are being brought into person we needed to change 43 00:03:04,01 --> 00:03:08,97 our laws in the Western countries that are receivers of this young girl was apt to 44 00:03:09,54 --> 00:03:14,01 one thousand nine hundred nine Arlo's didn't distinguish between prostitution and 45 00:03:14,02 --> 00:03:18,62 sex trafficking and we just assumed that everybody who wasn't pursued to show was 46 00:03:18,63 --> 00:03:22,73 out of their own way all so then when the trafficking concept is started to be 47 00:03:22,74 --> 00:03:27,88 introduced the police went would go out and immediately try to see Couper the 48 00:03:27,89 --> 00:03:31,43 younger girls and why was the situation they wouldn't assume that they were the 49 00:03:31,48 --> 00:03:35,93 there out of their own will but they would just start investigating their cases and 50 00:03:35,94 --> 00:03:41,32 find out why were they bury their they were under age and that has changed the 51 00:03:41,36 --> 00:03:47,24 landscape you're now working on this flash based video game at bay Varick with this 52 00:03:47,25 --> 00:03:50,73 issue can something like this even be addressed in a in 53 00:03:50,74 --> 00:03:53,33 a game context the game format Yeah that's 54 00:03:53,34 --> 00:03:58,99 a very good question because the first time I heard about games for social change 55 00:03:59,10 --> 00:04:01,48 something in blew my mind it was like 56 00:04:01,49 --> 00:04:05,19 a whole. Arise on open for me because I said wow game 57 00:04:05,23 --> 00:04:11,58 a game for you that can't have a tremendous impact in their education but in 58 00:04:11,59 --> 00:04:17,77 a way that is not really like academically Orthodox education but fun in the best 59 00:04:17,78 --> 00:04:21,80 of senses in the sense that his interest in learning our game is 60 00:04:21,81 --> 00:04:27,64 a roleplay game the player is going to embody certain characters and there is one 61 00:04:27,65 --> 00:04:30,84 character is a Latino girl trying to cross the border to the U.S. 62 00:04:30,85 --> 00:04:34,18 But there is also another a young girl who is living in 63 00:04:34,19 --> 00:04:40,32 a cocoa plantation in Cote d'Ivoire in Africa every coast and she's enslaved they 64 00:04:40,33 --> 00:04:46,48 time she works like fourteen hours gather in the cocoa fruit from the trees and 65 00:04:46,49 --> 00:04:51,60 then at my she has to satisfy the needs of their overseers along with the other 66 00:04:51,61 --> 00:04:56,29 girls that are in the camp so that the main point is to show that as labor it still 67 00:04:56,30 --> 00:05:00,44 exists and that you can do something about it and that the people who earn 68 00:05:00,45 --> 00:05:05,25 a slave have possibilities to escape and not only that but it was they escape that 69 00:05:05,26 --> 00:05:10,66 they had there is an enormous support for them. Working on this project and seeing 70 00:05:10,67 --> 00:05:15,49 all the terrible things that men can do do you ever get burnt out you just want to 71 00:05:15,50 --> 00:05:20,47 give up and I mean do you not lose hope after well actually I think I would say is 72 00:05:20,48 --> 00:05:26,26 the opposite what I find is that when I meet survivors that have been exposed to 73 00:05:26,27 --> 00:05:31,95 horrible tribulations and human rights abuses these are people that found in 74 00:05:31,96 --> 00:05:37,86 themselves inside their souls of us an incredible strength not only to overcome the 75 00:05:37,87 --> 00:05:44,21 trauma in be able to leave that normal life but to even help other people come out 76 00:05:44,22 --> 00:05:48,78 of those situations and inspire people to take action against this horrendous crime 77 00:05:48,79 --> 00:05:53,59 against humanity so for me it's an incredible inspiration is just like I feel 78 00:05:53,60 --> 00:05:59,14 humbled by my characters and inspired to do more to take action to spread the word 79 00:05:59,50 --> 00:06:03,74 and has always been an inspirational journey. Thank you cello for sharing your 80 00:06:03,75 --> 00:06:04,95 journey the movie 81 00:06:04,96 --> 00:06:09,07 a sense of silence produced and directed by cello Alvarez stilly I'm Jackson to 82 00:06:09,08 --> 00:06:13,49 pray almost live in Second Life and the two thousand I produce Institute at bay 83 00:06:13,50 --> 00:06:20,22 back in San Francisco more conversations to come many more taking. I was 84 00:06:20,61 --> 00:06:27,07 on the hour. The hour the 85 00:06:27,08 --> 00:06:33,60 hour. The hour I 86 00:06:34,51 --> 00:06:34,87 was 87 00:06:34,88 --> 00:06:42,80 a little. Bit you. Are on the 88 00:06:42,80 --> 00:06:42,80 .